Which Is Where We Are Now

  • I’ve tucked my worries into bed —
    their toddler eyelids chasing night visions —
    tucked in, with folded blankets, creased
    both cat and mouse;
    I’ve blown out the candles as,
    with silent footfall,
    I hushed each room
    and let moonlight in.
    I’ve folded the blankets over my chest,
    thanked each cricket in their lullaby chorus,
    thanked each star in its twinkling.
    I’m not the first to breathe in thankfulness.

    Heliotrope

    –––––––

    27 May 2011
    dragonfly book
  • Oh, ants:
    neighbors, not pests —
    my heart in cubes for serving —
    you get one.

    Tithe

    –––––––

    25 May 2011
    heart book
  • I’m at some rich place.

    There is a sickly woman here.

    I’m hungry and I get out some pizzas. I eat one right away then I wait while the oven heats up for the second one. The first pizza is from a different restaurant than the other. The pizza is made by developers. We talk about it and I emphaticly agree that developers are cool. ??This pizza will make a computer or will turn into a program?? The conversation is quiet and cultured, with the birds tweeting outside.

    We like one another and we take off my pants and plaid shirt and get to it.

    Then we run outside onto the gravel parking lot; it’s like she’s escaping from her desperate life. She falls in front of a posh car as it parks.

    Inside the car is her husband and his mistress/business associate. She looks up at him, headlights glaring into her.

    There is an understanding that its an open marriage because she’s sickly. It’s her loss; my relationship with her is a settling of sorts. The mistress gets out; she’s very businesslike, same as the husband.

    We go back to our room… there’s actually two pants and plaid shirts.

    Sighs at the Country House

    –––––––

    24 May 2011
  • It’s hard to catch the vast world’s tune;
     it goes on so long:
     it’s surprising when it begins to repeat
     to know it well enough to like it.
     Then, there’s the instrument I’m stuck with,
     embarrassing for its narrow applicability.
     Oh, well; here goes —
     and I blow or strike or strum or sing
     and accentuate the melody
      or compensate with harmony
      or engage in counterpoint
      or remain silent, waiting for a dramatic
           crash of symbols or discharge of canon
     and, at some point, appropriately — artfully
     add to life’s symphony.

    Again with the music

    –––––––

    23 May 2011
    dragonfly book
  • I’m in the middle of the street playing my guitar. Some kids are playing there. A mom looks out of her window and wonders about me. Eventually, the kids, two blond boys about 12, are playing right next to me. I wonder if they even like my playing.

    Then, I’m in the kids’ house. Their father is there; it’s a laid back good time. I’m still playing guitar.

    Eventual their mom comes home and she is nervous I’m there. I sense this. I’m not even sure I should be there, even though I like it. I know it’s time to leave. I say my goodbyes. Before I go, I notice I’m carrying some red curtains or long hand towels. I don’t know how to put them back.

    My Stranger Chords in the Middle of the Street, House

    –––––––

    22 May 2011
  • I am a big commander in some streampunk dystopian future. I’m being driven in a limo to talk with someone about something important.

    The scene cuts to an intellectual: he’s smart and ambitious — one of those slender Scandinavian academics — thin and vital, at home with intellectual work. He works in his office or study; he talks to himself about some things. He gets up and begins a mathematical equation.

    I walk in, almost imperially. I talk to him as he finishes his equation; it looks like a physics equation. Part of me wonders, though, how he knows physics; he’s so learned but does he have such scope to be proficient in all areas? I thought he was more a professor of humanities?

    In fact, as he is writing the last part of the short equation (there are chalkboards full of equations), he mutters with vehemence about people not understanding his time — by “his time”, he is referring to the 60s!? — but I thought the 60s was all warm and fuzzy.

    With his assertion lingering in the air, a miner walks in. This vital, amber-brown-bearded man lifts off his brass steampunk glasses and the fact that he’s covered in soot is now unmistakable, his coal grey face revealing striking eyes and healthy, white-pink circles of skin where the goggles had been.

    He’s in his young thirties and layers of experience constitutes his sturdy body. He can’t say anything, though… it’s not his place due the class struggle and the reality of the mines. I can see in his quick, wise, intelligent face that he’s been responsible with and a leader of these efforts; his face shows there is much to be learned from him, despite the passion and ambition of our privileged intellectual.

    Steampunk Class Struggle Moment-o-rama

    –––––––

    22 May 2011
  • There’s a lot of hustle and bustle going around.
    …
    A straight-haired brunette walks in, not even my favorite and still so beautiful.

    She used to seem out of my league; now our ages are close to one another’s.

    I pick her up, chest to chest, and rotate her around. We are both wearing overalls. We talk some more. I brush a strand of hair past her ear; she likes it.

    I lean into her gentle buzzing kiss and dissolve into awakening.

    Dissolved in Her Kiss

    –––––––

    20 May 2011
  • Your wisp of smile:
     a wisdom of roses.
    Let me tell you:
     I kiss each one.
    Tell me:
     how many?

    Petals

    –––––––

    20 May 2011
    heart book
  • I’m hobbling around the apartment. There are some really old computers here: computers with screens build into the box, some screens with monochrome orange.

    There is a young blond here who is a wiz; he knows all of these machines.

    “About time I got rid of them,” I say.

    The scene shifts; I’m in a public workroom/gymnasium.

    I look up to my room; it’s at the top of a very high cinder block wall like a prison barracks. Some young, strapping men are there.

    “Look at what they are doing to your hat,” someone says in mild disgrace. They hold my hat out the window/hole and rip the hat to shreds to spite me.

    Some guys still have respect for me and say things to the effect of “for the sake of the old-timer”.

    And, I do reach for than leash/rope and stay up, suspending gravity a while, but miss grabbing it. Then, I want to quit, but I try again and realize to get at it I have to wake up for real.

    Old Room’s Got to Go

    –––––––

    19 May 2011
  • I have two snakes that come out from inside me. One is a nice snake; the other is mischievous.

    The ticket booth demands I swallow the snakes as a condition for entry. I refuse to enter. The snakes go about their way as I stand before the amusement park entrance.

    Will Have Snakes Free Before Amusement

    –––––––

    18 May 2011
Previous Page Next Page

3 misc (1) 4 etc (2) Afloat Book (1) blue book (34) butterfly book (2) dragonfly book (68) fat lil notebook (2) florentia book (6) flying pigs book (7) frida book (3) green book (2) heart book (73) Lexi (8) lion book (4) mead book 2 (2) mead book 3 (1) orchid book (4) red with flowers book (41) strawberry thieves book (24) swan eyes stung by butterflies book (2) unknown 2009 book (3)

about

Log in

Designed with WordPress