Which Is Where We Are Now

  • I’m in a classroom. A black woman talks with another couple of black people.

    Then she asks me “if you could be a black person, would you be one?”

    I fluster at this question and say… well I’m not a black person, so I can’t be one.

    Class is about to start.

    There is a pool table with some brown plastic eggs and some white plastic eggs; they are all separated in half; I quickly go about matching the halves with there appropriately colored other half and put them all in the pool pockets.

    A lady professor is about to lecture.

    Brown and White

    –––––––

    10 May 2011
  • Alone at night,
    past the nadir,
    after the blood–boiling hour,
    when through tripping through the webs of the world,
    I wonder why I’m up.
    Then, as if nudged from dreaming,
    it occurs to me:
    the lilt of the nightingale
    gently reaches me;
    that living sparkling
    in the dead of dark
    chirping the light–hearted pronouncement of its being —
    safe to speak

    Annunciation

    –––––––

    9 May 2011
  • I’m in some very cool, futuristic building. It’s spacious but there is that funny feeling of wealth and possession that makes me feel like I don’t belong. The man who owns it is a silver-haired old, fit guy with loads of confidence.

    Everyone, including a lot of my family, are gathered around. A large chocolate chip cookie is being manufactured in a materialization device.

    This is a futuristic device about 20 feet in diameter — that’s how big the cookie is. The spacious room, then, is about 50 feet in diameter with chairs for all to sit and watch the materialization. There is a nice architecture to the place: there aren’t doors, just a curving high ceiling to softly delineate hints of large rooms.

    The cookie feels like it’s my cookie… that is, everyone is interested and taking part in its observation of the manufacturing and they are welcome to eat it, still, it’s being made for me and according to my specifications; this is despite the fact that I’m in a strange building, a lot of people are a captive audience, and, though I’m proud of feeling the cookie is proper, I don’t myself like the cookie: I’m not happy with it.

    Now we, most of us, informally, of each our own will, move to another room, just checking out the place. Here, another broad manufacturing table is replicating an entire neighborhood. This is the rich, silver-haired, pompous man’s creation. Ugg, it’s really mostly a golf course with some houses around the edge’s of it. That’s not good for a real neighborhood… that’s not a real neighborhood. Wait. It’s missing a path from a house to one part of the course in real life. I wonder if it can be added on: that would be my path.

    Sci-fi Fabricating: My Gigantic Cookie and a Path to the, Ugg, Golf Course

    –––––––

    8 May 2011
  • The dance in us
    celebrates persistent beings
    who perform forms
    we love.

    Notes on a Spring Day

    –––––––

    8 May 2011
    dragonfly book
  • I don't know how to break this to you:
     you have a heart…
    some sweet swelling;
    then, catastrophe —
     all the blood squeezed out
     till one wonders
     will it ever flow again,
     those milk and honey days?
    Like days and seasons
     throbbing with two reasons:
      one in upkeep,
      the other open to arcs replete
      with sun and rain,
      cold and heat.

    Condition

    –––––––

    6 May 2011
    heart book
  • I live up near the Canadian border. I’m standing in a large line for something like a bus. There is a couple of people next to me speaking French. The woman talks to the black man. She’s in line for a Canadian passport. Then she talks of a special passport for a small region of Canada called the island of Good, though it’s just a region. The passport declares she has the rights of a citizen when shopping in that region. This island has this special passport for economic reasons. It’s mutually beneficial: it’s good for their economy and it provides foreigners who work in the vicinity access to goods that might be otherwise hard to come by. I make a mental note to apply for to those two passports.

    Passport to the Island of Good

    –––––––

    6 May 2011
  • You’re going to make a father out of me:
    first snake I’ve held;
    first baby I’ve cared for.
    I place my hand into your cage;
     you sniff and avoid
     when it’s obvious to me you should glide right on.
    Only after both of my hands have lain on either side of you
     and you’ve tucked yourself into a ball,
     head resting on curls, do I realize
     I must pick you up directly.
    
    You don’t snap when I pinch;
    then it’s hand over hand over hand:
    non–stop.
    
    On the table, in the sun,
    you stretch out into a new world.
    You don’t know and there’s no way for me to tell you:
    it’s small.
    Just one big circle as far as the eye can see:
    only, snakes are blind.
    
    You’re so young; you need this experience
    to learn to move, to understand your body.
    You head straight for the edge;
    it’s instinctual or inevitable.
    And there’s my hand.
    It’s such a long drop; I don’t want you bruised or dead.
    So, here’s my hand.
    And you comprehend.
    And, though it’s not the best new place to go,
     perhaps it’s the only place you know.
    
    And, back on the table you go
    and straight to the edge.
    I blame the small circle you’re in;
    and, a hand I extend.
    And you still search for ground.
    I pull up a chair, in case you want to leave.
    Do you dare? You sense something underneath;
    though it be further than you’re long,
    you hover down till — plump — you fall
    belly to the sun.
    You twine between the slats
    till, like water, you find that sinking leg
    and dive down — despite its sheer plastic,
    crimp on it with your pinky–full stomach
    until — plop — again.
    
    Back to the circle and its edge you go.
    This time, no hands, though.
    We are both learning about falling here.
    Now, I see you can smell the ground — or its absence —
    and I let you dip
    as far off the edge as you dare;
    head and belly drip
    with just your scales left to grip
    and that fine sense of gravity,
    refined from your last fall,
    saves you
    or perhaps this is normal activity
    with which I’ve just been meddling?
    Now, you gracefully circle and dip
    along the edge without fear to slip;
    just desperate for some place wherewith to get
    down.
    
    I guess I’ve learned my lesson, now,
    knowing, as I take you in my hand,
    we needn’t go hand over hand over hand.
    And I need not worry about your leaning on me
    while upon my hand you circle ’round.
    to curl into a peaceful perch —
    until you sniff deeper ground.

    Tough Love

    –––––––

    30 Apr 2011
    dragonfly book
  • Munch and marvel upon the apple.
    Its planter’s footsteps tread on.
    We share this future time with him:
     its tang on our lips.

    Chapman

    –––––––

    27 Apr 2011
    heart book
  • Margrave was teaching an art class. In the school, I see a beautiful poster for it. Something like “Express yourself”.

    I go down to the school basement. I’m enrolled to take classes with young people. They are wizards with a Harry Potter feel to them.

    The next scene I remember is my station wagon skidding around — something like a PT cursor and a woody — having just left the main road full of battle. The dogs were safe. The back door and a side door ended up flung open.

    I look around for spirits because I sense they are with me… as if we must have been working together or I’ve already seen proofs of their assistance. There, off from and behind the left-hand side of the car, was a golden spirit. She looked like a collection of gold ore, was human-sized, perhaps on the tall side; even her wings were of heavy ore. And when I say ore I mean rough, raw, lumpy, dark with chunky flecks.

    The scene then jumps to her shutting the car doors.

    “You’re going to have to get moving,” she says. To my pleasant surprise she stays, hanging on the outside of the passenger-side window as I turn around in the woodsy cul-de-sac and I pick up speed.

    “You are going to have to learn Greek.”

    And that was fine, because I was taking a class for Greek at school. I’ll just study extra hard. What a great feeling to be watched over this way. There was this familiarity of working together for good, casual, friendly work. The tiny, pesky, red, man-sized demi-dragons were making their course around the bend and my fairy casually, and with straw hat flapping in the wind, courteously departed.

    Golden Ore Fairy

    –––––––

    26 Apr 2011
  • The week between
     heating and air–conditioning
    when frogs whir and birds sing

    Spring

    –––––––

    25 Apr 2011
    dragonfly book
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