Which Is Where We Are Now

  • I take my time
     hopping from one lily pad
      to the next
    Until I realize I am frog
     not pad

    Lily

    –––––––

    1 May 2010
    orchid book
  • Belly–dancing Friday & Saturday nights
     Ask about our cakes and pastries
     together on the hookah menu
    It feels illegal
     this fantastic peace–pipe
     imported from a distant land
     where — I imagine — it is the usual
     mouthpiece playing the timeless tune of friendship
     in some tent with cushions and languishing heat
    We talk of brownies
     as we inhale deeply
     blowing dragon’s breath from our nostrils
     attempting Gandalf rings
    We talk of communism and kibbutz
     as the silent flat–screen
     entrapped in its frame
     trails on pitching capitalism
    Abruptly comes the belly dancer
     sword balanced on head
     smirk balanced on lips
     a knowing corniness goes unheeded
     tables laugh giddy with defense
    It feels illegal
     this brazen display
     with its own language it speaks fluently
    That middle–aged Persian
     to whom I earlier beamed
     glares at her — all the women do —
     not enviously
     at beauty speaking its truth
     which all possess and most mostly murmur
    All part of the act
     dancer coaxes handsome man
     to mimic her poorly in happy embarrassment
     revealing the difference between babble and eloquence
    Then the young, curly-haired maiden stands
     and with so natural an expression on her face
     silently undulates a state of grace
     echoing phrases of child’s play
     the staff see her and she is suddenly attired in native spangles
    Everyone understands the dance now
     the entire table of Persians join them
     the Africans on the other side of us, too
    And me, I wax on
     about the bump and grind
     with a generous tutor
    A beautiful woman entreats
     to dance with the dancer
     and share in the speech
    O happy buzz, good–natured delirium
     The things we are saying this Saturnalia
     I am always hearing them
    Thank you, hookah, magic lamp,
     who cleans the substance’s impurities
     and turns smoke white
    for the young maiden’s sweet grace
     and a pleasant night

    Hookah Saturnalia

    –––––––

    25 Apr 2010
    red with flowers book
  • We all partake in that sacred ritual
    To learn that craft
    takes sun and moon
     bird and bee
    for so much cloth
     through which to thread our hearts
    and fashions a garment
     upon our soul to rest
    Each knowing so much flair
     decorates so much unseen

    Flair

    –––––––

    20 Apr 2010
    red with flowers book
  • I’m living in a spacious apartment. It’s beautiful and well appointed. It’s also expensive and many of the rooms go unused, making it a bit lonely.

    Next, I find myself talking to some developers who are roommates with one another. They share a classy apartment in a skyscraper. Rob Lowe is one of the lead developers. The rent is surprisingly cheap: only $430 a month. The lingering caveat is that developers come and go: there is a high turnover of developers moving in and moving out. To confound my considerations further, I had already moved my things into a small apartment across town.

    Domiciles

    –––––––

    18 Apr 2010
  • Such a pleasant day
    I would have you both
    going your wild way
    in this idle neighborhood
    only circumstances have tethered
    us together
    Such eagerness
    pulling so hard
    you choke yourselves
    wheezing in recovery
    only to choke yourselves all over again
    Never realizing I just want a pleasant walk

    I ponder the cure:
    Abrupt turns fore and aft
    Until your ears remain half–cocked
    on me
    Never realizing my purpose
    Just wanting a pleasant walk

    Humane Treatment

    –––––––

    14 Apr 2010
    red with flowers book
  • Barely able to contain herself
    her militant stature holds back
     not understanding why
    just some vague remonstrances of the past
     create a tension
    so when she braves again to steal a kiss
     her grimaced forbearance
     some biting and tasting
     is either far away or hard–pressed
     lashing out in a constant stream of lacerations
    The other: clever, laid–back, self–possessed
     never seems to want for affection
     till her eyes betray her
    Only the tenderest kisses will she take
     and over and over, so deep her reception
    Perhaps, one morning on a Tuesday
     after such an audience
     one unsubstantial half of tongue slips
     in tacit return
    
    So when clever black stays home
     to rest her lame leg
    And bold blonde bolts through the forest
     to terrorize squirrels again
    I'm lost —
     yell and yell and yell
      with no recourse
    Only when I whisper
     do her sensitive ears melt her heart
     and she comes bounding back
     out of nowhere

    Lashes

    –––––––

    13 Apr 2010
    red with flowers book
  • Universe
    how is it that I am the privileged participant?
    Your beauty sings with each subtle movement
    Shall we not be friends?
     Let us walk
     Each passing creature
     you know so well
     your sentient beings with each their kingdom
     introduce them to me
     And I shall be so well received
    thanks to the auspices of my acquaintance

    Under Auspices

    –––––––

    10 Apr 2010
    red with flowers book
  • Universe of the stars
     and the silhouettes of trees
    The delicate rain of
     new life on leaves
    The chorus of whir
     from frogs in the stream
    Nightingale, who beckoned me,
     twice I echo your somber call
    Only when I quit you
     does the pretty fluting of another
     appropriately answer your question

    On Tiptoe to the Nightingale’s Lair

    –––––––

    7 Apr 2010
    red with flowers book
  • It’s very nice here
     and nothing changes
     other than an occasional
      here or there
    I forget now
     who had whispered in my ear
     “out of place
       out of time”
    Well, now, where are we?
    
    Back to doing whatever I do
     in this timeless atmosphere
     only a word or two
      and we are now on the same page
    Late afternoon, early spring

    Halcyon

    –––––––

    4 Apr 2010
    blue book
  • Why so far from your path
     my little man?
    Rest your head in my bosom
    Lay your tears upon Mother Earth
    Take sustenance from my teat
    Be my lover for a time
    
    Time for your medical training
    Time to build roads and buildings
    and fascinating devices of engineering
    My, so busy
    Not too busy
    To dance and play guitar and sing
     with a gathering every evening
    In knowing celebration
     of harvested humanity
    Tasty food from the hearth
    Long discussions of
     politics and mirth
    
    One day your hairy legs will itch
    Your hooves tap and your tail twitch
    One evening you’ll silently fade
     back to me
    To coax budding women into the forest
    and sow boldness in them
    so generation after generation
     humans in wilderness
    and wilderness in humans

    Tears on Easter

    –––––––

    4 Apr 2010
    blue book
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